""

event image

Film Studies is proud to announce the release of Cinephile 7.2, "Contemporary Realism." 

event image

UBC Department of Theatre and Film (Film Studies) Sessional Teaching, for 2012/2013 Academic Session. Application details.

event image

UBC Department of Theatre and Film: Teaching Assistantships for 2012/2013 Academic Session. Application details.

event image

THE DIFFERENCE BETWEEN REALITY AND REELITY? A talk with Dr. Mark Harris. 733 Beatty Street. May 10.

event image

Congratulations to UBC Theatre and Film Prof. Ernest Mathijs on the launch of his controversial new book "100 Cult Films".

event image

Congratulations to Film Studies professor Dr. Brian McIlroy who was honoured as a 2011 Killam Mentor at the Fall Congregation

event image

Film Studies prof Ernest Mathijs interviewed on Zombie love!

event image

"Cowboys and Aliens with Angst". Brent Stang, a former MA Film Studies' student and now a PhD student at SUNY, was interviewed by the Globe and Mail on the Western genre.

event image

Film Studies Professor Brian McIlroy has recently received one of the new SSHRC Insight Development Grants for a project entitled “Screens in Vancouver: Cinemagoing and the City in 1914.”

event image

Professor Ernest Mathijs publishes new Cult Cinema primer

event image

Just Released: The New Extremism in Cinema: From France to Europe
by Dr. Tanya Horeck (Editor), Dr. Tina Kendall (Editor) includes an essay by Lisa Coulthard

"Drunk History and Displaced Vocality"
Lisa Coulthard

event image

Starting as a web phenomena, making it onto HBO’s Funny or Die Presents and winning the 2010 Jury Prize for Short Film at the Sundance Film Festival, Derek Waters’ and John Konner’s Drunk History highlights the drama of American history, the convergence and transfer between media in our modern age and the hilarious potential of vocal displacement and incongruity.
>>Continue reading Professor Lisa Couthard's newest essay on FlowTV

event image

“Vancouver has a film festival?” Ernest Mathijs and Diane Burgess are asked what they think in the Globe and Mail.

Time Wasted
Ernest Mathijs

event image

"If film cultism today is only what William Bainbridge and Rodney Stark would call an ‘audience cult’ or ‘client cult’, and what Janet Staiger calls ‘visible fandom’ , if cult cinema’s current impulse is disconnected from the history of cultism, why do cult receptions of television and cinema not lose all of their appeal as a factor of resistance against the mainstreaming of culture?"
>>Continue reading Professor Ernest Mathijs' newest essay on FlowTV

Support Us

event image

Gifts to the Film Program at UBC ensure that today's Film students have access to the resources that give them the best education possible. With the costs of education rising and the numbers of students growing, UBC has made a commitment to students that no qualified person be denied a UBC education based on financial ability to pay. Your gift would provide Film students with the opportunity to pursue their passions, and take their achievements out into the world.
More>>

 

Film Studies at UBC - Conferences

Film Symposium on Migration, Multiculturalism and Misunderstandings - 2010

event image>>Click here to view Symposium flyer

Join us for a screening and discussion of two controversial European films about the chances and challenges of demographic changes in society.

Wednesday, October 6, 2010 (Cancelled)

2.00 till 5.30 pm in the Royal Bank Cinema at the Chan Centre, 6265 Crescent Road, UBC, Room 290.

www.maps.ubc.ca

FREE, but due to limited seating, please reserve a seat by calling 604.822.2697.

The symposium includes a free screening of Jan Verheyen’s Belgian hilarious comedy “Cut Loose!” Following this is a short Q&A session via Skype with producer Peter Bouckaert. Finally, watch the trailer of the award winning German drama “When We Leave,” followed by a panel discussion with director Feo Aladag, Dr. Mark Harris and Dr. Peter Lester of UBC’s Department of Theatre and Film, and PhD candidate Conrad King of UBC’s Institute for European Studies, moderated by Katja De Bock.

Panelists:

Feo Aladag

event image WHEN WE LEAVE is Feo Aladag’s cinema debut as producer, scriptwriter and director. 

Born in 1972 in Vienna, Feo Aladag studied acting in Vienna and London and also completed studies in communication sciences and psychology at the University of Vienna, graduating in 2000 with a Dr. phil. Between 1991 to 1993 Feo Aladag worked as a freelance editor for daily newspapers in Austria, writing mainly about film and TV. Till 2000 she took part in numerous video clips and commercials, already more and more behind the camera.

Since 1998 Feo Aladag has written several scripts for television, including the Tatort episodes “Mutterliebe“ (2003) and “Erfroren” (2005), some of them together with director Züli Aladag.

Following her experiences in directorial master classes at the European Film Academy with directors like Michael Radford and Mike Figgis, she started studying in directing at the dffb

(Deutsche Film- und Fernsehakademie) in 2004. Feo Aladag still stayed very close to her acting career as well. Some examples of her work as an actress include series such as “Tatort” or TV- movies in Germany and the U.K., but especially feature films like LUCY (2005) directed by Henner Winkler or MEINE SCHÖNE BESCHERUNG (2007) directed by Vanessa Jopp.

In 2005 Feo Aladag and Züli Aladag jointly founded the film production company Independent Artists Filmproduktion, based in Berlin. WHEN WE LEAVE is Independent Artists Filmproduktion’s first cinema feature film.

Peter Bouckaert

event imagePeter Bouckaert was deputy director of the Flanders International Film Festival for 10 years before joining Eyeworks Film & TV Drama, Belgian’s leading film production company in 2000. He produced a series of 10 documentaries about Flemish cinema history and a medium length film directed by Stijn Coninx. He was involved in the financing and marketing of “The Alzheimer Case” (aka “The Memory of a Killer) by Erik van Looy, “The Wedding Party” by Dominique Deruddere, “Winky’s Horse” by Mischa Kamp, “Blind” by Tamar van den Dop and “Storm Force” by Hans Herbots. In 2006 Peter coproduced “Where is Winky’s Horse” by Mischa Kamp and produced “Ben X”, Nic Balthaar’s debut feature film, which won the 3 main prizes at Montréal World Film Festival, took The Black Pearl Grand Jury Prize for Best Feature Film at the Middle East International Film Festival in Abu Dhabi, “The Red Star Award for most innovative film” at Palm Springs USA and “Directors’ and Audience’ Choice Awards for best Foreign Film at the Sedona Festival, USA. BEN X was sold to over 45 countries including France, Germany, The UK, Italy, Spain and US. In 2007 Peter produced CUT LOOSE (based on a novel by Tom Naegels, directed by Jan Verheyen), which won the Best Film and Best Script award at the Cairo Film Festival in 2008. In 2009 he produced OLD BELGIUM (directed by Indra Siera) and THE K FILE (directed by Jan Verheyen) and co-produced SOEUR SOURIRE (Belgian-French film, directed by Stijn Conicx, starring Cécile de France). He is currently in postproduction for CRAZY ABOUT YA (directed by Jan Verheyen), BEEFHEAD (first film by Michaël Roskam) and in preproduction of SWOONI (first film by Kaat Beels). TEAM MARIO, the second film by Nic Balthazar, is currently in financing stage. Peter is president of the Flanders Film Producers Association since 2006.

Katja De Bock

event imageBorn in Flanders, Belgium, Katja De Bock has an MA in English and German Philology. She lived in Germany for almost two decades, working in the local film and television industry. From 1999 till 2009 she was a Commissioning Editor and Executive Producer at WDR, Germany’s largest public broadcaster, based in Cologne. Katja successfully co-produced highly rated and awarded TV-Movies, Series and Theatrical Films like e. g. “Tatort Koeln”, “Goodbye, Lenin!”, “Contergan / Side Effects” and “When we Leave”. In Vancouver, Katja is an enthusiastic volunteer for the Vancouver International Film Festival (VIFF) and the Pacific Cinématèque. Her work as a researcher and online editor for AhornTV, Omni Television’s new German language program, combines Katja’s greatest passions: Film, Television and Germanic languages.

Mark Harris

event imageMark Harris has a PhD from the University of British Columbia. He has published approximately 3,000 critical articles in more than 50 publications. He is the senior film critic for the Vancouver weekly cultural review The Georgia Straight. He is also a poet, translator, and prize-winning playwright. He is a regularly invited to speak at cultural events and symposia across the province of BC. He is currently working on a project that explores the use of translation, subtitling, and dubbing in cinema. He is a sessional lecturer in the UBC Film Studies degree programs.

 

Conrad King

event imageConrad King is a PhD candidate in the political science department at UBC, conducting research on education and the state within the European Union.  Conrad completed his M.A. from the Institute for European Studies (UBC, 2008), having received Bachelors degrees in History (Toronto, 2003) and Education (SFU, 2005). Conrad has taught in Canada and Europe, as well as published on higher education reform, teacher training, and social inclusion in the EU.

 

 

Peter Lester

event imagePeter Lester holds a Ph.D. from Concordia University.  His main area of research deals with exhibition studies and the history of film technologies.  Other research interests include popular culture, genre studies, Canadian cinema as well as taste distinctions and hierarchies.  He has recently published articles and book chapters on the history of 16mm film in Canada.  He is currently adapting his Ph.D. dissertation into a book entitled Itinerant Images: Mobility and the Movies in Canada.  He is a currently a UBC Postdoctoral Teaching Fellow in the Film Studies program.

Watch Feo Aladag’s award winning German drama “When We Leave” at the Vancouver International Film Festival on: Monday, October 4 at 6 pm and Tuesday, October 5 at 3:30 pm

www.viff.org/festival

logoThe screenings are co-presented by the Goethe-Institut Toronto and VIFF.

 

logo

 

 

 

 

top of page